If we met during the Christmas holidays past, odds are I thrust a copy of Saladin Ahmed’s Throne of the Crescent Moon into your hands, and then held a cleaved sword over your head till you began to read. “But I don’t like fantasy,” some burbled. “You’ll read this,” I replied, “because it’s set in a fantasy Middle-East where the locals are the heroes rather than the villains, because the writing is kick-ass and because the world-building is delicious. Because NPR called it The Lord of the Rings meets the Arab Spring. And because I’m interviewing Saladin Ahmed.” That interview was published in the February issue of Bookslut; here’s an excerpt.
The novel features a fat old hero, and a warrior-priest swordsman who’s all of five feet tall… You subvert so many conventions about masculinity and heroism that dominate this genre. Did you have a particular agenda while planning the novel, or did it all flow organically from the plotting process?
I’m glad someone finally noticed that Raseed is short. That was very intentional, and few have remarked upon it! Yes, I had — that most dreaded of things! — an agenda: look at other (Other?) criteria for heroism and follow the sorts of heroes we don’t usually follow. But to me, that’s not mutually exclusive to flowing organically. A writer starts out writing with a set of suppositions and questions in her head — even if she is unaware of them. But as one writes, these, one hopes, shift and squirm a bit.
Writers don’t tell stories in a vacuum, however much we might wish to pretend otherwise. So what already-told stories are your stories re-inscribing, which ones are they countering? Since long before 9/11, US culture has been saturated with stories about Arabs and Muslims as villains, as fanatics, as worthless, as better dead than alive. So yes, I aim to tell different stories in my work, and Throne is a part of that effort, however cloaked in swash-and-buckle it may be. […] in general, Throne very consciously aims to re-center the traditional western fantasy map, and to interrogate attendant cultural assumptions in the process. But, again, via monsters and magic rather than polemic.
I reviewed a couple of books for Herizons which I though I’d mention on the blog. Lilian Nattel’s Web of Angels is an unflinching yet compassionate exploration of Disassociative Identity Disorder (better known as multiple personality disorder). Nattel never sensationalizes the condition, and the plot unwinds very delicately. The protagonist Sharon is a Toronto wife and mother who has successfully concealed her condition for decades, but when a young pregnant girl in the neighborhood commits suicide, she decides to take action, even at the cost of revealing her DID. “And it all seemed so ordinary except it wasn’t” observes a character, and this line serves as a fine precis of the novel. Nattel demands that we re-evaluate our conception of normal–whether applied to ourselves, our near ones or our society–and the results are unsettling, to say the least.
(you) set me on fire by Mariko Tamaki nails the miserable angsty insecurity that most teens wear like a second skin. Allison Lee opts to attend St. Joseph’s College because no one from her high school will be there–she was picked on in school, had a messy love affair with a fellow student Anne, accidentally set herself on fire twice, and now bears burn scars running from her hairline to her shoulder; re-inventing herself in college is a seductive idea. But then she meets the beautiful, crazy Shar, and their relationship soon turns abusive. Allison’s voice is remarkably wise and funny and she has a finely-calibrated bullshit detector for society’s strictures, but she’s so spectacularly misguided in her relationship choices that you want to leap into this book howling “WTF are you doing!” There’s an enviable alignment of authenticity and skill in Tamaki’s new book; this is stuff of classics.
And now, for some exciting literary happenings, aka a nude author calendar. Twelve Canadian authors will display their beautiful…minds for a 2014 calendar, whose proceeds will go to PEN Canada (an organization that supports freedom of expression). The calendar is produced by Bare it for Books, and the line-up includes Farzana Doctor, Miranda Hill, Terry Fallis, and Yann Martel, who I hope will pose with a tiger covering his bits.